Sunday, 17 June 2018

Post 76: Sissinghurst, a room of one's own and a whiff of scandal...

The golden couple!
When my Mum suggested Sissinghurst as a place we might take her and Dad for their Golden Wedding Anniversary mini-break, I readily agreed.  I was intrigued to see the famous white garden and the home of Harold Nicolson.  Whilst most people have heard more about his wife, Vita Sackville-West, I had made an obscure connection with Harold through my A-Level History project way back in 1987. Researching the 1938 Munich conference led me to his diaries, where, as an English diplomat he had recorded his own accounts of the conference and its possible consequences.  As I said, this was over 30 years ago, so it must have made an impression on me!

Sissinghurst
Clearly when Harold was not busy being a diplomat, he was designing gardens!  He was responsible for much of the planning of the Sissinghurst grounds.  His wife Vita also had a two-pronged life: she gardened by day and was an author by night.  Prolific in her literary output, her books have not formed part of the popular canon of modern literature, and I was interested in reading a novel written by the woman I had first heard of as a gardener. And so in full knowledge of my planned visit to the Kent "castle," I began to read All Passion Spent, a Sackville-West novel I had picked up a couple of years ago in the famous secondhand bookshop at Alnwick.

The premise for this book appealed to the introverted part of my character: the part which needs a few hours solely and completely to myself in order to function at my best in other, more sociable areas of life! The novel opens with the death of Henry, the first Earl of Slane and thus we are introduced to his wife, who at the age of 88 finds herself single for the first time in 70 years. After decades as the obedient wife of a diplomat, (an autobiographical nod here, I presume, though obedience doesn't seem high on the Sackville-West agenda), Lady Slane refutes the plans that her children have for her to enjoy a meek widowhood living with each of them in turn.  Instead, she travels independently by tube to a house she had fancied in her youth in Hampstead and she secures it for rent for a year. Appalled by this decision, the children nonetheless rally round and suggest a rota of visitors to ensure the well-being of their aged mother.  And this is where introversion is at its best!  She refuses their offers and moreover, bans visits from her Great Grandchildren and her Grandchildren, stating that those under 70 years of age are too demanding and too tiring.  She permits her offspring and their spouses, realising as she does so, that they won't keep up with the tedious need to travel out to see her.  Effectively, she chooses seclusion in her dotage, an antidote to the polite society of diplomatic dinners, trips abroad and official visits.

I loved her for this!  En masse, her children are presented as less than likeable, though Edith and Kay become more rounded as the story progresses.  Lady Slane's key need however, is space.  Even had her family been delightful, it is apparent that the protagonist yearned for what Virginia Woolf had already coined as A Room of One's Own.

And this spawns another interesting feature in Vita Sackville-West's life.  In the middle of the lawns,
Vita's tower room
forming a spur of a walled garden is the famous Sissinghurst Tower.  Used as a prison in its time, Vita refurbished it and created her very own space, a book-lined roundhouse with rugs, a settee, a fireplace and a writing desk. On her death her son confessed that he had only been in the room about six times in his whole life.  She guarded the space jealously; her children had to wait at the foot of the stairs for her to come down to them. It was her space to think, to read and to write, a concept that I wholly comprehend.  In the house of our dreams, hubby has a snooker room and I have my own library complete with a deep Sherlock chair, a fireplace, a desk and a cat!  Vita just got there first!  In keeping with her own fierce protection of her privacy, the National Trust have opened the doorway into the room but full access to the public is barred by a fancy grill.  Hence you can see in but you cannot invade her space.

Another joyous fact in my visit to the gardens was the discovery of Sackville-West's friendship with Virginia Woolf.  This latter author was the subject of an extended essay I wrote during my second year at university.  Having read and thoroughly enjoyed All Passion Spent, I must say that Virginia Woolf is the superior writer, but I am surprised that Vita Sackville-West is not a more common name in literary parlance.

The famous Sissinghurst
white garden
Scandalously ahead of their time, Vita and Harold had an open marriage where both she and her husband had other partners.  One of her affairs, with Violet Trefusis, was so intense that it threatened even the Sissinghurst status quo; famously Nicolson travelled to Paris to bring her home to her children.  No such scandals are depicted in the novel however; instead we are introduced to the delightful character of the lady's maid, who only a few years younger than Lady Slane, remains devoted to "Milady." Her dialogue is a mix of native French and English, creating a Franglais which must have been huge fun to write. Other endearing characters are the two elderly men who become regular visitors to Hampstead, Mr Bucktrout the landlord and old FitzGeorge, an associate of Kay's who builds a friendship with Lady Slane which is kept secret from her son.


Scotney Castle
All Passion Spent is a quiet read which I really enjoyed.  The same cannot be said of the next book that I chose to read on that holiday, having been seduced into its purchase at the second-hand bookshop at Scotney Castle. Bought with full knowledge that this would be a light read, I came late to the Jane Austen project commissioned in her centenary year.  The project involved the rewriting and modernisation of her novels, to celebrate the author and perhaps encourage a new generation of readers to appreciate the gentle manners of English life she depicts.  I have some Joanna Trollope titles on my shelves.  She can tell a good story, and though not as highbrow as her family history would suggest, she is an author I choose when I fancy a lighter touch.  But this one didn't work for me.  The attempt to modernise Sense and Sensibility fell far short of the original.  The story was unconvincing in contemporary Britain and I felt that the frequent need to reference email and texts was there solely as a device to force the narrative into the twenty-first century. The characters, so vibrant in Austen, were irritating and unconvincing in this version.  My advice: stick to the delights of the original and if you want to give Trollope a go, choose a title of her own making rather than this adaptation which is so much poorer than the real thing.


Coming home from Kent, we caught up with series 2 of The Handmaid's Tale. This, and a broadcasting of Atwood's life on the BBC's Imagine whetted my appetite for my next read which is The Heart Goes Last. It promises to be a darkly comic read...




Tuesday, 5 June 2018

Post 75: Where my Heart Used to Beat

My final half term holiday is over. I can't believe that this will be my last term at school.  I loved going in this morning and picking up the school routine. My teaching has an edge of desperation to it as I try to teach as much as I can to as many people as possible in the shortest possible time.  This makes for some interesting revision sessions! At this point, I can't imagine not going back to it, but I will see where next year's mid-life crisis leads me...

So the title of my latest read has some poignancy: Where my Heart Used to Beat is a reflective novel written from the viewpoint of its protagonist looking back on "more than sixty years of living." Whilst I am some way off that number, I am certainly at a stage where life is changing.  Child 1 is getting married in August and Child 2 has one more year at uni; so hands-on motherhood is pretty much a chunk of my life that I am beginning to look back on, to see where my heart used to beat in accordance with their needs.  And teaching is soon to be an experience to reflect on rather than do.  I will instead, have the pleasure of being taught. Education runs through my veins and certainly forms a significant part of who I am so far.

Enough about me.  The great Sebastian Faulks was not concerning himself with my sense of identity, but that of his central character, Robert Hendricks. The novel opens in a hotel room in America and an encounter with a hooker. This is rapidly followed by a party with much younger people in the flat above his own in London.  On first appearance, Hendricks is unsettled and unsatisfied. Still in chapter one, he receives a letter from Alexander Pereira "apparently offering [him] a job."  This is the catalyst for reflection.  The letter-writer, heretofore unknown by Hendricks, states that he served with Hendricks' father in the first world war. He also explains that he has spent much of his working life as a neurologist, forming another connection with the central character who is a doctor and psychiatrist. Thus the two key threads of the story are set up:warfare and mental health.

I really enjoyed the connection between past and present in this book.  It is an amazing feat as the combined memories of Pereira and Hendrick form the sweep of the twentieth century.  It encourages the reader to reflect on worldwide events and politics but see them personally, react morally and seek introspection.  The heart of the novel is a wartime romance that flourished in Italy in World War Two between Luisa and Hendricks. Hendrick recalls this relationship with tenderness, and it is clear that this love is the pivot for much of his adult decision-making.

Through the Birdsong trilogy, Faulks has revealed himself to be master of the war story and so Hendricks' retelling of his own war is unsurprisingly convincing and empathetic. But it becomes clear that one of the most interesting things about his story are the gaps, what he chooses to leave out. Even when coerced by Pereira,there are things he does not reveal.

Hendricks' privacy is interesting. His life's work has been to try to reach and understand psychiatric patients, to reach into their gaps and help them to find some meaning or relief. He resists such counselling himself however, and holds information back even as he opens up his memories to Pereira.  I found the psychological aspect of the story compelling, and would really like to see Faulks extend and explore this strand in future novels.

Juxtaposed against Hendricks' laudable aim to reach the unreachable is the fact that he states so clearly that, "All the connections I've made with people over more than sixty years of living cannot conceal the fact that I am utterly alone." This hooked me from the outset.  To feel so isolated after a life many would regard as successful and full of humanity seems bleak and cruel.  Faulks creates in Hendricks a sympathetic protagonist who helps us to examine what it means to be human, and perhaps leads us to question what we need to make us feel that we are leading lives worth living.

Finally, there is a twist in this book that  is not revealed until the closing chapters. It was something that I had not anticipated and, as I said at the end of my last blog, has made this novel a definite on my re-read list.

I met Sebastian Faulks at a
reading at Henley Literary
Festival in 2016
This is a clever novel that gives a macro view of the twentieth century through the micro view of an individual and his associates. It covers politics and trauma, madness and love, loss and grief, but through it all, it has heart.  It is never sentimental but it accesses humanity and sentiment. Essentially, it captures a life with all its flaws, and in doing so, encourages readers to reflect on their own experiences, and maybe even challenges us to probe those areas we leave well alone or have yet to fully acknowledge.

Sebastian Faulks is a modern author who stands out amongst those who have achieved contemporary success.  This novel is original and will not disappoint.